Small table in 18/10 stainless steel mirror polished and glass.
Newness, freshness and poetry dominate the aesthetic/constructive approach developed by the Campana brothers, Fernando and Humberto, for their Blow Up series, in which the form of the objects is created by the play of shapes and spaces generated by the steel rods put together almost at random. The theme is as recognisable here as it is in many of the designs by the talented Brazilian pair.
The iconic Eames DSR chair is a polypropylene re-edition of the legendary fibreglass chair that was designed in 1948 by Charles and Ray Eames.
The comfortable seat shell was combined with a variety of bases and was the first plastic chair to be mass-produced. A fantastic chair to have in any room, the DSR is connected to the metal frame, which is inspired by the Eiffel Tower, using shock mounts, resulting in a comfortable seat even over long periods. Available in yellow, blue, orange, white, green, red and black.
Designed in 1927, it's ingeniously proportioned, distinctive form has made this height-adjustable table into one of the most popular design icons of the 20th century.
It is named after the summer house E 1027, “Maison en bord de mer”, that Eileen Gray built for herself and for her collaborator, Jean Badovici. Likewise, the secret code-name comes from her: E is for Eileen, 10 for Jean (J is the 10th letter of the alphabet), 2 for B(adovici) and 7 for G(ray).
Frame of chromium-plated steel tubing. Top of crystal glass clear, parsol grey or metal black.
The perfect balance—literally—between art and furniture.
Sculptor Isamu Noguchi created his distinctive table by joining a curved, wood base with a freeform glass top. The ethereal result does not diminish the practical design—a sturdy and durable table. This marriage of sculptural form and everyday function has made the Noguchi table an understated and beautiful element in homes and offices since its introduction in 1948.